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The Universal Sea - Water Space - Pure or Plastic:...
Category: RE-act
912
Title:
The Universal Sea - Water Space - Pure or Plastic:...
The Universal Sea - Water Space - Pure or Plastic:...
Author:
Eiffel Wong
Eiffel Wong
Category:
RE-act
RE-act
Description:
From abandoned plastic objects, photographs to multi-media shows, this body of works defines its own specific kind of aesthetic and style. Personal obsession with and observation of the underwater and the natural world lead to a specific concept of world – Eiffel’s World. It attempts to envisage what things might be like in the future, fantastic worlds and possible perspectives. Strong images show the search for the unknown, tactile manifestations of invisible technologies, to liberate plastic, art, space and architecture.
From abandoned plastic objects, photographs to multi-media shows, this body of works defines its own specific kind of aesthetic and style. Personal obsession with and observation of the underwater and the natural world lead to a specific concept of world – Eiffel’s World. It attempts to envisage what things might be like in the future, fantastic worlds and possible perspectives. Strong images show the search for the unknown, tactile manifestations of invisible technologies, to liberate plastic, art, space and architecture.
Description:
From abandoned plastic objects, photographs to multi-media shows, this body of works defines its own specific kind of aesthetic and style. Personal obsession with and observation of the underwater and the natural world lead to a specific concept of world – Eiffel’s World. It attempts to envisage what things might be like in the future, fantastic worlds and possible perspectives. Strong images show the search for the unknown, tactile manifestations of invisible technologies, to liberate plastic, art, space and architecture.
From abandoned plastic objects, photographs to multi-media shows, this body of works defines its own specific kind of aesthetic and style. Personal obsession with and observation of the underwater and the natural world lead to a specific concept of world – Eiffel’s World. It attempts to envisage what things might be like in the future, fantastic worlds and possible perspectives. Strong images show the search for the unknown, tactile manifestations of invisible technologies, to liberate plastic, art, space and architecture.
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