Top 100 – Public Voting Open

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Check out our Top 100 artworks and click on the small ♥️ to vote for your favourite art piece. The 5 most voted artworks get a wild card to enter the short list for the final jury judgement! Wanna know more? Have a look at our next steps. 

You have time until the 28th February 2018.

 

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Flotsam Monotype print. 2017
by Rachael Causer
503
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http://universal-sea.org/top-100-artworks?contest=photo-detail&photo_id=1721
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503
Title:
Flotsam Monotype print. 2017

Author:
Rachael Causer

Description:
Flotsam is part of a series of prints and drawings of detritus that has been discarded and swept away. It is hauntingly compelling in its beauty and at the same time in its stark ugliness repercussions for our tenuous ecology. The floating plastic bag is both fragile and indestructible. Snagged and blowing on roadside hedgerows and gently rising and falling in our ocean waters, the plastic that will never decompose is continuously moving; a beating heart. I am both fascinated and repelled by the physical trail that we as humans, leave behind us; shopping lists, notes, packaging, old clothes, lost gloves and abandoned mattresses. I am intrigued by the ebb and flow of flotsam and jetsam that is blown, swept and dragged around our houses; things stuffed down the back of sofas, unwanted objects on pavements, rubbish-snared verges. The tragedy is that inevitably much of this waste will find its resting place in our seas. My work is rooted in a love of objects and materials and particularly things that I find. I am interested in museums, systems of taxonomy and the desire to collect. My work challenges conventional perceptions of value and worth and explores ideas of ‘brokenness’ and ‘repair’; a subtly ‘mended’ carrier bag questions our impulse to throw away and replace with something new.
Description:
Flotsam is part of a series of prints and drawings of detritus that has been discarded and swept away. It is hauntingly compelling in its beauty and at the same time in its stark ugliness repercussions for our tenuous ecology. The floating plastic bag is both fragile and indestructible. Snagged and blowing on roadside hedgerows and gently rising and falling in our ocean waters, the plastic that will never decompose is continuously moving; a beating heart. I am both fascinated and repelled by the physical trail that we as humans, leave behind us; shopping lists, notes, packaging, old clothes, lost gloves and abandoned mattresses. I am intrigued by the ebb and flow of flotsam and jetsam that is blown, swept and dragged around our houses; things stuffed down the back of sofas, unwanted objects on pavements, rubbish-snared verges. The tragedy is that inevitably much of this waste will find its resting place in our seas. My work is rooted in a love of objects and materials and particularly things that I find. I am interested in museums, systems of taxonomy and the desire to collect. My work challenges conventional perceptions of value and worth and explores ideas of ‘brokenness’ and ‘repair’; a subtly ‘mended’ carrier bag questions our impulse to throw away and replace with something new.
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